The colours, gradients, marks, and type the marketing site is built from. The palette and the gradient stops were taken out of the seed deck as vector values, then checked against a 150dpi render, so these are the real numbers rather than samples by eye.
Two assets, both artwork. The logotype is NOT a font: the word is drawn, so it must not be set as text. Both inherit currentColor, so they tint to whatever surface they sit on.
Fourteen tokens, scoped to the marketing surface so the product's own tokens are untouched.
Cream
--atl-creamPage ground on every light surface
Cream bright
--atl-cream-brightCards and panels on cream
Ochre
--atl-ochreThe mark, accents, rules, status dots
Salmon
--atl-salmonWarm gradient end
Terracotta
--atl-terracottaAlert and money-out accents
Burgundy
--atl-burgundyDeepest warm accent
Olive
--atl-oliveDark accent
Olive deep
--atl-olive-deepDark section ground
Sage
--atl-sagePositive state, labels on dark
Dusty blue
--atl-blueCool accent
Sky
--atl-skyCool gradient end
Ink
--atl-inkBody text and the primary button
Ink soft
--atl-ink-softSecondary text
Rule
--atl-ruleBorders and dividers
Eight fills. The two long ones carry hand-placed stops because a straight two-stop ramp banded on the warm end.
Cream fall-off
The hero. Flat cream for the top 57%, then a warm drop to ochre.
linear-gradient(180deg,#FAF4E1 0%,#FAF4E1 57%,#F5E6C9 64%,#F2DBB3 72%,#EED09D 80%,#EBC488 88%,#E5B367 100%)
Cream to salmon
A softer descent; the fall starts higher and lands flat.
linear-gradient(180deg,#FAF4E1 0%,#FAF4E1 36%,#F7EAD3 48%,#F3DDC2 56%,#EFCBAB 64%,#E8B58B 76%,#E5A678 92%,#E5A678 100%)
Ochre to salmon
Full-bleed warm section.
linear-gradient(90deg,#E29F3C 0%,#E9A97D 100%)
Ochre to terracotta
The pricing panel and money accents.
linear-gradient(135deg,#E29F3C 0%,#B6502F 100%)
Burgundy to terracotta
Deepest warm fill.
linear-gradient(90deg,#502315 0%,#B6502F 100%)
Olive to sage
Dark fill with a light end.
linear-gradient(90deg,#4A4F3E 0%,#A9B58E 100%)
Dusty blue to sky
The only cool gradient in the set.
linear-gradient(135deg,#5C8A9E 0%,#BDD2DC 100%)
Olive deep, flat
Meetings and the closing panel.
#474C3C
The background motif. It stays circular at every viewport because the drawing keeps its own 16:9 box rather than stretching to the section.
Gelica for display, Instrument Sans for everything else. The kit also names Documan as the marketing workhorse, but there is no webfont for it yet, so micro-labels fall back to Instrument Sans.
Know what’s going on with your company.
Regular only. Headings are single-weight by design, which is also the licence we hold today. Used at 64/44/32/23px.
The questions that normally cost you a morning are already answered.
Body copy runs 15 to 19px at 1.6 line height. Micro-labels are 11px, uppercase, 0.22em tracking, in ink soft.
How another company's mark is treated on the brand, not a list of what Atlas connects to. Marks are tinted to ink at 40% and never shown in their own colours, so a strip reads as texture instead of a logo wall. Glyphs are Simple Icons (CC0), inlined. Attio, Pipedrive, and Clarify have no glyph yet and ride as wordmarks.
The four shapes the page repeats.
Buttons are full pills at 48px. Both the outlined button and the eyebrow pill carry the page ground as a fill, so the ring motif does not run through them.